Come in, relax, pick up a book and take a seat. Listen to writers give tips, talk about their lives and pass the time of day. Read until your heart's content and forget about what's going on outside. Isn't that what a library is all about?
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Saturday, 28 June 2014
Where Time no longer justifies Cost.
I don’t have an answer. It’s a worldwide issue about time generally, but the backlash hits anyone who works even more outside the box than the rest of society. Housewives and mothers have never felt valued.
Sunday, 22 June 2014
The Writing Process Blog Tour
I’m really pleased to have been tagged to take part in this tour by Regina Joseph, author of the Alterran Legacy Series in the sci-fi genre. She is an author whose work I have very much enjoyed. If you want to see more of Regina Joseph, her author page can be found at,
http://www.amazon.com/Regina-M.-Joseph/e/B00AQ4RCRE/ref=sr_ntt_srch_lnk_3?qid=1403310721&sr=1-3
So, here are some insights into what makes me
tick as a writer. I wish my answers didn’t make me look so haphazard, but we
are what we are I guess. I could have lied and made stuff up, but I didn’t. Promise.
What am I working on?
At the moment, I am re-editing About Hana for the millionth time because I am obsessive about novels being ‘clean.' I can’t stand editing errors. It had been my intention to have a break from writing and tidy up some of my older works, but I now have another storyline which is growing in my head by the day. It sometimes happens like that, but this one is definitely not going to go away so I need to get it written down.
Writing is a treat for me and so I
can use it as a reward if I do enough editing. Oh, that’s in between the family and the day
job.
How does my work differ from others of its genre?
I guess that I write what I want. I don’t sit
down and decide that this book is going to be a romance or this one is a
mystery - I just write it. I have been known to get stuck after the novel is
complete and fully ready to go with its wee cover on and sit there wondering
which genre to put it in. Sometimes it really is a question of, ‘Mmnn, what are you?’ at the eleventh
hour. I seem to cross genres quite a lot within one piece of work.
Artifact is intrinsically a romance but is intercontinental, crossing from New Zealand to England. It also contains some scenes from English history with references to the English Civil War and that’s always difficult to place. I guess that’s why my work is so different, because it meanders across acceptable genre lines without worrying.
The Hana Mysteries are essentially that
- mysteries, but are bound up in the deeply entrenched Maori family that Hana
marries into. There is family intrigue within that dynamic which is culturally
interesting and then underneath, there is always an external issue that causes
danger or disaster for Hana. Yet my favourite aspect of the Hana series is the
romance between her and Logan because it is so complicated and undulating.
So again, what are those books? Mystery, romance, New Zealand culture, family. They are a myriad of things all rolled into one.
Why do I write what I do?
Ultimately, I write the kind of stories that I would like to read. If I’m paying good money for a book, what would it have to be or contain?
Writing for me, is easily as fulfilling as reading and I think
that is a factor in what I produce. I have lead female characters because I am one.
I could write from a male perspective but can get far more psychologically in
depth with another female. My Hana character has a few hallmarks belonging to
me and I am comfortable with her. She is a frustrating over-thinker who worries
about silly things (me) and yet at other times she can be dogged and stubborn
with enough pluck to be gutsy and interesting (probably not me.) If she was a
real person, I would spend half my life wanting to have coffee with her and the
other half being driven mad by her.
I love my secondary male characters (perhaps a
little too much sometimes) and am fascinated by how they grow and become shaped
by the storylines, often without much input from me. Logan Du Rose began as a
mysterious Maori with an intense attraction for Hana. At first it seemed
incongruous and they were so poorly matched but as the series progressed, I
fell in love with him myself. He has become this Godfather figure, this all
powerful bad-boy in cowboy boots who masquerades as a highly intelligent school
teacher. He did that himself.
My teen novels fill a gap I think. Again, I
don’t plan them. I sit down at my computer and out they come. Blaming the Child began harmlessly, as a
story about two teenagers who lived next door to each other. In fact the
working title was ‘Bad Neighbours’. Nobody was more surprised than me when the
novel began dealing with issues such as self-harm, rape, teenage sex, runaways
and parenting issues. Experience is different for everyone but I know that my
writing has been cathartic for me personally. I think that the only rule in writing is to
stick to what you know.
Demons On Her Shoulder began as a book about a counsellor and went on from there. I don’t think that you can convincingly write about sexual abuse in a detached way. Readers aren’t stupid - they know when something is based purely on research and it doesn’t convince them. So in that way, there’s a real vulnerability in producing novels that deal with this issue. It’s a huge risk but I have had some lovely emails, especially about Demons, even though it was never meant to be a self-help book at all.
How does my writing process work?
I would love to give a really intelligent
answer to that question. Unfortunately, there is no rhyme or reason for what I
write or when I write it. Shakespeare wrote a lot about his ‘muse’ and I know
that artists talk about this concept as though it’s an ethereal being. But it
feels exactly like that sometimes, like this thing has occupied your brain and
put all these plot lines and story arcs in there. You literally can’t relax
until they’re all out.
If you imagine a woolly jumper that someone’s unpicking, they pull on the end and the whole thing eventually collapses and disappears in front of your eyes. It’s a lot like that. You pull the thread and it unravels inside you only sometimes it gets a knot which needs undoing. The end result has to be a neatly rolled ball of wool even if there was once a whole lot of messy strands on the floor in front of you. Some days it’s a flowing thing and other times a wrenching one, but it has to come out entirely for the author to feel satiated.
I wrote One Heartbeat
like that. I was like a crazed madwoman. I remember it being winter and I went
through the motions of going to work and sorting out the family, but I have no
memories of anything about that time in my life. It’s as though I wasn’t really
here, I was up in the mountains above Port Waikato at the hotel sharing Hana’s
trials. For me it can act as a huge abdication from
life, which isn’t really fair on my family. When I wrote that particular book,
we had a lot going wrong for us and it helped me to rise above it actually. I
would have normally got depressed, in fact I should have got depressed with all that was going on, but nothing
seemed to touch me. I was particularly cruel to Hana at the end though and when
I look back, I think I was trying to sever the connection and make her let go
of me so that I could come back to the real world.
I wish I could offer up some carefully coiffed
plan for that question, which made me look really wonderful. If I was looking
for a name to call my own personal writing process, it would have to be ‘The
Headless Chicken Writing Process.’ The definition of that would be - no pattern, no direction, just running
around blindly and getting surprisingly far whilst being observed with interest.
If writer’s block is like creative
constipation, then I am blessedly at the other end of the digestive scale right
now and very thankful for it. My father always said that I had verbal
diarrhoea...
So, who have I tagged to be next on the blog hop?
The next author that I am going to tag on this blog tour is actually one of my favourites.
Terry Maggert is probably the next DH Lawrence and I read his first novel, The Forest Bull in awe of him. His writing has a real intelligence to it and if I could have given more than five stars in my review, I definitely would have. Terry is an author whose coat tails the rest of us can only dream of holding onto. He is definitely a writer who is going places fast.
Terry’s biography
Born in 1968, I discovered fishing shortly after walking, a boon, considering I lived in South Florida. After a brief move to Kentucky, my family trekked back to the Sunshine State. I had the good fortune to attend high school in idyllic upstate New York, where I learned about a mythical substance known as "snow".
After two or
three failed attempts at college, I bought a bar. That was fun because I love
beer, but, then, I eventually met someone smarter than me (a common event),
and, in this case, she married me and convinced me to go back to school--which
I did, with enthusiasm. I earned a Master's Degree in History and rediscovered
my love for writing.
My novels explore dark fantasy,
immortality, and the nature of love as we know it.
I live near Nashville, Tennessee, with the aforementioned wife, son, and herd, and, when I'm not writing, I teach history, grow wildly enthusiastic tomato plants, and restore my 1967 Mustang.
Links to Terry Maggert, author - well worth a look.
http://www.amazon.com/Terry-Maggert/e/B00EKN8RHG/ref=ntt_athr_dp_pel_1
My next author to nominate is:
CB Pratt
CB Pratt is an author
whose work I have happily reviewed. I love her Eno the Thracian novels with her
dashing, tongue-in-cheek hero who makes me laugh.
C.B.
Pratt has lived all over the United States, including California, New York and
many stops in between. Having been a professional writer for over twenty years,
she is ill-suited to any normal work and hopes to continue writing for the rest
of her life. Independent publishing has allowed her to write the things she has
always wanted to, including fantasy and steampunk. She is the author of
numerous traditionally published books, as well as the Eno the Thracian
fantasy-adventure series. RIVERS OF SAND will be released late summer, 2014.
Sample or purchase Book 1 in the series:
And last but not least, an author for whom I have a great deal of respect:
Venkatesh Iyer
Venky and I chat often on the Book Review Depot, from where I know all of the three authors I have tagged. He has a wicked sense of humour and always has something useful to add. I find his blogs about writing immensely useful and am looking forward to his collection of short stories.
General Manager in a big
trading concern at a young age, bank executive thereafter, before becoming an
entrepreneur in the third stage of my working life: that was me before I
decided I had had enough of the world of commerce (my businesses died a lingering
death because of the Maoist insurgency in Nepal). I moved to Chennai, and
finally, late in life, took up something I was born for, and unfortunately,
knowingly blind to: writing.
I am at the computer all
day, writing for my blog, for LinkedIn (I recently received publishing rights)
and most of all, on my book of short stories, most based on real life, and all
to do with a scheming but bumbling politician who would be Caesar. I intend to
publish it as my first fiction book, in both digital and print versions. I have
published three non-fiction works, all in the digital form.
I do freelance editing jobs, all for publishers of
non-fiction, like Oxford Printing Press.
I am interested in current news, movies, reading and music (in which my tastes go back to the
60s, 70s, and 80s).
I believe in social media, because I believe in social participation.
I believe in myself, once again, after years of
self-rejection.
I blog at:
www.venkyiyer.com. google.com/+venkyiyer and http://www.twitter.com/user/venkyiyer58
https://www.linkedin.com/in/venkyiyer58
Saturday, 21 June 2014
Ocean's Gift by Demelza Carlton
I
liked Water and Fire, but I loved Ocean’s Gift. It was fascinating seeing
Belinda in her mermaid setting, as I had got to know her in the first novel
even though I knew little of her background. But in this novel, I adored the
character of Vanessa. She had an innocence and yet a matriarchal power that was
really enticing. I felt as though there was an opportunity to really get to know
her. Demelza Carlton has struck the perfect balance between the archetypal view
of mermaids and that of the sirens of old, blending the two to make a tender
and yet dangerous species of females.
The
storyline is awesome and frighteningly plausible. The earth is dying and nature
will have seen the tell-tale signs long before man pulls his head out of the TV
and realises it.
Joe
is a decent man in a world full of typically bawdy males. He is solid and honourable
and bashful without losing any of his sex appeal. He is reassuringly male
without the unappealing baseness of the other fishermen, which is probably why
Vanessa picks him. The mermaid race seeks liaison with men as a duty, but
Vanessa is different. She has previously known love and it presents a
vulnerability within an otherwise fearsome character portrayal.
I
love how truly Australian this novel is. It has all the raw beauty of a
stunning corner of the world. I appreciated the descriptions of the geography
and the oceans; they were colourful and well-drawn and made the reader feel as
though they were taking part in the novel. I was there in Joe’s hut and Vanessa’s
boat. I liked this novel enough to read it in one sitting, not wanting to put
it down and miss anything. It had enough of a hold on me, to keep me from doing
the myriad other things that I actually should have been doing and I felt sad when
the last page had been finished and savoured. I would have felt more
devastated, had I not known that there were other books in the series to pick
up.
It
was incredibly well written and refreshing clean editorially - not a single
distracting flaw to spoil the reading experience. I would definitely recommend
it.
Get your own copy of Demelza's awesome book on Amazon:
Sunday, 15 June 2014
All Authors Blog Blitz
This is my first blog tour
and it’s incredible to have been paired with Stevie Turner, author of A House Without
Windows. Although I now live in New Zealand, my father is from East Anglia in the
UK which is where Stevie lives and I spent the first few years of my life
living behind the Norwich City Football ground. It just goes to show what a small
world it really is!
Stevie Turner is a medical secretary by day, typing clinic
letters dictated by doctors. At all other times when she is not typing women's
fiction she will be wandering along the country footpaths of her village in
picturesque East Anglia, UK. Stevie is married with two children and three
grandchildren.
Synopsis of A House Without Windows
'A House Without Windows' is from the suspense/romance genre.
Newly pregnant Dr Beth Nichols is stalked by crazed ex-patient
Edwin Evans and held captive in his basement for 10 years. Escaping with her daughter
Amy, Beth finds a whole new world outside captivity and when the Press get hold
of the story, Beth and Amy find their photographs splashed across the world
news. Beth's ex-fiancée, Dr Liam Darrah, believed that Beth had been murdered years
before. He is forced to make the difficult choice between staying in Canada with
his new partner Patty and their son Toby, or seeking out his first love, Beth in
the UK.
This novel careful crafts multiple perspectives together, offering the reader a panoramic view of the ripples which spread out from one man’s crime, to create innocent victims of others.
This novel careful crafts multiple perspectives together, offering the reader a panoramic view of the ripples which spread out from one man’s crime, to create innocent victims of others.
One of those victims is Joss, Beth’s son. Feeling unloved
and lost, he reaches out to his natural father in the secure mental hospital,
finding a man who is still obsessed with Beth. Disappointed and confused, Joss
inadvertently gives away the location of the little family, unleashing fresh
horrors on a group of people, who had worked hard to rebuild their lives.
Joss begins to understand what fatherhood really is and that
love is more than genetics, as danger
once again stalks his family.
Sample
of A House Without Windows
ACKNOWLEDGEMENTS
Thanks again to Libbie Grant for
the cover, and my gratitude goes to Enid Blyton for writing the Island of Adventure and starting me out
on my love of reading all those years ago.
Dedicated to all those
rescued from captivity.
All names and characters
are fictitious. Any similarity to persons living or deceased is purely
coincidental.
PROLOGUE
The unprepossessing exterior of the suburban
1930’s end-of-terrace house was giving nothing away. Inspector John Hatton pushed past the usual
group of ghouls and rubberneckers, dipped his slightly overweight body under
the cordon, and opened the gate leading to the tidy pocket-handkerchief front
garden.
“Morning Ford.”
“Morning Sir.”
“You get all the best jobs don’t you? Anyone in or
out?”
“Not as far as I know, Sir.”
“Have you had a word with the neighbours?”
“The ones I’ve spoken to say he was always a bit
of a loner; kept himself to himself.
They don’t really know much about him.”
Stamping his feet as he sheltered from the January
chill in the half–enclosed front porch, Ford looked to Hatton as though he was
freezing his arse off. Hatton let a
faint smile play around his lips as he realised that yes, this morning there was
actually somebody worse off than him.
He curbed the impulse to wipe his feet on the
welcome mat just inside the front door.
Grimacing at the irony, he put on plastic overshoes and gloves and
continued down the hallway into the kitchen.
Everything was still in its place, modern and
clean. The door to the dishwasher was
open as though it had been in the process of being emptied; there were still
clean plates, bowls, and pots and pans stacked neatly. Knives, forks and spoons filled the cutlery
compartment, all with their handles facing the same way. Hatton noticed the five large plastic
containers still standing side by side above the dishwasher on the worktop,
each full to the brim with a different breakfast cereal.
He could imagine guests (if there had ever been
any) popping into the kitchen for a drink of water and wondering why somebody
living on his own would have wanted to buy so many containers of cereal, and
why they would have required such a huge American walk-in fridge. He opened the fridge door that stood next to
the dishwasher; there were seven pints of full-fat milk in the storage space in
the door, three large portions of raw fillet steak on the bottom shelf, and
numerous types of vegetables, salad stuff and fruits filling the middle two. Various yoghurts sat on the top shelf in
regimented lines, segregated into flavours, with the ones nearest their sell-by
date at the front. Twelve raw eggs sat in holders slightly too small for them
in the door above the milk.
Hatton took one last glance at the food that would
soon begin to spoil; he could have just eaten that fillet steak with some
chips, mushrooms and peas.
Walking around the central table he noticed the
dishcloth folded neatly on the draining board, not just thrown down as he would
have done. He opened the cupboards
underneath the sink; bleach, Dettol, and washing-up liquid stood one behind the
other on the left side, next to two large packets of sanitary towels on the
right.
The guests would have really begun to wonder at
the sight of those…..
He sighed and closed the cupboard and looked
around some more. Adjacent to the sink
stood a washing machine still full of damp women’s clothing, and on the far
wall was a long clean-looking worktop with cupboards underneath containing sweets
and crisps, and what looked like a pantry just outside the kitchen door. Hatton checked inside and found shelves
overflowing with rice, spaghetti, pasta, potatoes, more tinned food, and the
door to what resembled yet another American type of walk-in-fridge, silver in
colour, but built into a recess with a bolt on the outside. The bolt was pulled back into the open
position, and the door was slightly ajar.
He walked towards it, opened the door fully, and trod carefully down the
narrow flight of steps.
He had to see it just once more, before the
house was bulldozed and razed to the ground.
CHAPTER 1
Mummy wonders if it will be Christmas soon, but I
don’t know what she means. She says that
when she was a little girl she would get lots of presents on Christmas Day, and
there would be a big tree in her house with lots of twinkling fairy lights on
the branches and shiny baubles that she could see her reflection in. I’ve never seen a tree, so Mummy drew one for
me in my colouring book and showed me. I
don’t understand why there was a tree in her house.
My name is Amy, and Mummy thinks I could be seven,
eight or nine years old because my big front teeth are growing in. I have long blonde hair like Mummy that I can
sit on. Mummy puts it in a plait and she
showed me how to plait hers, and she taught me how to read. She says I can read and write really well,
and I like writing stories. I write
everything down in a secret diary and keep it under the mattress. Mummy writes
things down too. The Man brings us paper, pencils, exercise books, and
colouring books for me, but he doesn’t speak much. Mummy tells me to keep out of his way, so I
run to the toilet when he comes.
Sometimes he finds me and smiles, and says that I’m getting a big girl. I don’t like him. He’s nearly as tall as the ceiling and he has
hair all over his face. Mummy told me
his name is Edwin, but I don’t like him so I call him The Man.
Our house is small and dark. There’s a light bulb hanging from the ceiling
that stays on all the time, even when we go to sleep. It’s too dark without the light on, and I get
frightened. I get in bed with Mummy
because there’s nowhere else to sleep.
When I lay in bed I can see all the rest of the house except the toilet
and sink, which is around a little corner and out of the way. All the walls are greenish-grey, and Mummy
says they’re made out of concrete. When
I touch them they’re cold.
Mummy sticks my pictures on the walls with
something called Blu-tack, and she says they brighten things up a bit. My best picture is the one of Prince, a
ginger cat that sometimes follows behind The Man when he brings our food. I’m allowed to stroke Prince until he goes back
out, but then Mummy says I have to wash my hands before I eat anything.
Last week The Man brought me a reading book. I’d
never had a reading book before. He said
I had to look after it because he’d kept it safe for years since he was a
little boy. It’s got thick pages, large
letters, and a sort of yellowy cardboard cover. I’ve started to read it. A lady called Enid Blyton wrote it, and it’s
called The Island of Adventure. It begins where a boy called Philip who loves
animals is at some sort of summer school and is bored as he sits under a tree
doing something called algebra (I asked Mummy what algebra is, and she said
it’s a different kind of maths). He
hears a strange voice telling him to blow his nose and wipe his feet. It turns out the voice comes from a parrot
sitting in a tree nearby, and he follows it as it flies off down the hillside
back towards his school. That’s the only bit I’ve read so far.
I asked Mummy what a parrot is, and why I can’t
sit under a tree. She told me a parrot
is a colourful bird that flies around in hot countries, but that some people in
this country keep them in cages as pets.
I think that’s cruel. If I had a
parrot I’d let it fly about.
I had to ask her again why I can’t sit under a
tree. Mummy sighed and told me that
trees grew outside, and we weren’t allowed to go outside. When I asked her why, she said that The Man
doesn’t want us to.
It’s boring in our house. I do maths with Mummy like Philip had to do
at school. I know how to add up lots of
numbers in my head and come up with the right answer, and Mummy says not many
eight year olds can do that. She always
asks me to spell words and read even longer words. She helps me with the ones I can’t do,
because she’s a doctor and she’s cleverer than me. When my felt tips run out I have to wait for
The Man to bring more. There’s no parrots flying around to look at, and I want
to sit under a tree. One day I will get
outside, but I’m not sure yet how I’ll go about doing it.
OTHER BOOKS BY STEVIE TURNER:
THE PORN DETECTIVE
THE PILATES CLASS
LILY: A SHORT STORY
Monday, 9 June 2014
KEEPING IT REAL - Giving the reader the benefit of your real-life experience.
I
read a novel once which contained a foreword by the author and referred to a
week that she had spent in the bush doing research. I sat back and began
reading, excited to see her experiences drifting through the pages at me. I was
severely disappointed. By the end of the book, her lead male had made a fire
without matches and built a small bush hut. That was it. She had literally
spent a week living rough for a few lines about how delightful it was and how
clever her man could be.
Whilst
writing my latest work, I sent my two main characters into the New Zealand
bush, on Mount Pirongia to be exact. I was keen not to make the same mistake
and so I used my own experience to hopefully put the reader into that
situation. The bush is beautiful and challenging and utterly terrifying. It is
not the kind of place that you can afford to disrespect. I hope that I have
managed to get that across.
The
first night I ever spent in the bush was up in the Kaimai Ranges in the middle
of a wintry July. It was a Youth Search and Rescue event and I was accompanying
my fourteen year old daughter on a Parent Camp, having drawn a very short
straw.
Let’s
make this clear. I am a 5* hotel kind of girl. I don’t do camping.
Yet
there I was, waking up in a tent packed with snoring adults of both genders,
fervently telling myself that I didn’t need the toilet. Unfortunately, I did
and let me tell you, once you’re out of the tent, there ain’t no point trying
to crawl back in again. It was freezing cold and into the minus figures and the
promise of home and bed felt like the Holy Grail. We had camped next to an
elderly scout hut with a toilet and freezing cold running water, but that, I am
reliably informed, was a luxury.
My
daughter had joined this motley band of crazies a few weeks after her
fourteenth birthday and they trained rigorously every second weekend on any of
the mountain ranges surrounding Hamilton. Over a period of three years, she
morphed from an outdoor loving teenager into a finely honed machine, able to
survive alone in the bush for days, navigate anywhere with an ordinance survey
map and compass, track and find, administer first aid to and rescue
unfortunates who found themselves lost. By the age of sixteen, she was carrying
a pager and responded to search calls, even leaving school to do so. As parents,
we were so proud. But then in the middle of each year...there was Parent Camp.
The
first year, I went off on a ‘tramp’ with an older boy and another parent. We
chose a short track, because I am not a fan of deeply wooded areas and as we
discovered half way around, the other poor mother was three months pregnant and
but for her husband being called away, shouldn’t have been crawling, knee deep
in vines and bush matter anyway. We had radios and a GPS, not that we were
allowed to cheat, tempting as it was and we were being monitored back at base
by a group of third years which must have found our weaving coloured line
absolutely hilarious.
All
of the parents were loaded up with rucksacks containing emergency clothing and
a small survival kit, food and water to last us should we get hideously lost
and need to camp out. Good grief!
Surely that should have told us what we were in for but no, off we went like
innocent lambs to the slaughter.
There
is a moment in my latest novel, Blaming
the Child, when Callister is forced to tramp off track through deep bush.
She is scratched by the hooky thorns of bush lawyer and constantly tripped up
by supplejack, spending most of the time on her hands and knees. That was me! I have truly never felt so
helpless. For as far as I could see in every direction, it all looked the same.
I could see how easy it was to get lost. Over five awful hours, I learned to
navigate using a compass and also saw how simple it could be to trust your own
judgement about where you were headed and topple off a ridge or into a water
course. I got to use the radio and call in our coordinates, feeling a total
fool when I got the lingo wrong and had to be straightened out by a teenager.
It was both humbling and humiliating.
The
second year, I had the privilege to be led on a tramp by my own daughter. She
had suffered a dreadful head injury at the end of the previous year, being
caught in a rock fall and received a bravery award. Miles from help, her head
had been kept from falling apart using a handkerchief and a bright orange
Search and Rescue baseball cap for an incredible twenty four hours. Then she walked
6km carrying her own pack, to civilisation, a horrified mother and hospital.
She recovered and apart from the scar on her forehead and a wariness of scree
slopes, she lost none of her passion for the bush and rescuing other people
from its clutches.
Unfortunately
by the end of our master class, my beautiful daughter declared me to be a ‘liability.’
I have a tendency to wander off after butterflies and pretty plants and she
spent half an hour searching for me and the other parent whom I had
inadvertently led astray. I have no idea how we ended up on the other side of that
stream as neither of us adults remembered crossing it. I also disgraced myself
by eating particularly poorly. While everyone else unwrapped hearty sandwiches
and sensible energy bars, I created a stir by whipping out a tin of English
mushy peas which I had lumped around in my rucksack. Having produced a tin
opener and a dessert spoon, I horrified my poor daughter by eating the little
green darlings cold, washed out the tin in the stream and carried it back to
the scout hut, clanking loudly all the way.
Needless
to say in her third year, she didn’t press me to attend with quite the same
degree of excitement.
My
character, Callister Rhodes, is a lot like me. She is surrounded by beauty but
would rather not be. The New Zealand bush is both fascinating and terrifying
and she doesn’t cope well with its isolation. It makes her feel powerless and
causes her to question her own significance against the benchmark of its
magnificence. If it weren’t for the competence of her companion, Declan Harris,
she would not have survived.
Declan
is like many of the young men and women whom I encountered on those weekends.
He is infinitely capable and very much at home in his surroundings. Unlike
Calli, he would be perfectly happy to live indefinitely in the bush. He has
been well trained by a bush loving father, who taught him everything he knew,
before dying prematurely.
I
have been careful not to over-egg the pudding. My characters could have hunted
for their food, surviving on rabbit or eel, but I wanted it to be realistic. It
wouldn’t matter how hungry I got, I would never be able to stomach a slime
covered eel, no matter how well you washed it and my daughter informed me
knowledgeably, that rabbits would not be found on the upper slopes of the
mountain, only in the lower farmland areas. Declan provides food for Calli,
made up of dehydrated mince and powdered mashed potato. I may be criticised for
this but can assure you, that my daughter and her companions survived happily
on such ingredients for each of her weekends and the ten day trips which they
did every New Year. I should know. I was in charge of firing up the dehydrator
and the smell of it running overnight was pretty disgusting. But she required
enough meals to last for ten days and that was my contribution. There is almost
nothing that can’t be dehydrated and some things are more successful than
others. Tinned fruit mushed up and spread over the shelves of the dehydrator
comes out like fruit bar - bet you didn’t know that!
Above
all, I truly hope that my novel has realism. The last thing I want is someone
to slam the book down and declare that the author has clearly never experienced
the bush. I want you, the reader to know that I have, I did and I really don’t
want to again.
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